On March 10, 2017, Victoria Kennedy successfully defended her doctoral dissertation, Narrative Pleasures and Feminist Politics: Popular Women’s Historical Fiction, 1990-2015. Diana Wallace, the eminent scholar of women’s historical fiction from the University of South Wales, Uk was the external examiner and participated via SKYPE.
Her study contributes to a developing body of work on women’s historical fiction and its significance to feminist discourse. Since historical fiction is one of the most popular genres of the contemporary period, Victoria’s dissertation brings together the discourses of feminist pop culture criticism and theories of feminist historiography to address the tensions between narrative pleasures and feminist politics in some of the most recognizable women’s historical novels of the past twenty-five years, including The Other Boleyn Girl, Outlander, A Great and Terrible Beauty, and Scarlett.
Victoria Kennedy with Diana Gabaldon
Looking back now, I can see that I was drawn to feminism from an early age, though it was not a label that was particularly encouraged or promoted in my youth. It wasn’t until I became a university student that I acquired the vocabulary and confidence to describe my interests and political sensibilities as “feminist.” In my second year as an undergraduate, I discovered women’s writing and feminist literary criticism. This discovery so energized me that I pursued my passion all the way to a Master’s degree at York University, and then back to Laurier as a doctoral student.
Victoria’s PhD was supervised by Dr. Andrea Austin, with the assistance of Dr. Eleanor Ty and Dr. Katherine Bell as committee members. Dr. Alexandra Boutros of the Cultural Studies department served as the internal-external examiner.
Victoria is currently working on expanding and revising her dissertation for publication as a monograph. At the same time, she is turning her focus to historical narratives in visual media. In May she will present a paper entitled “‘We Want the King’: The Crown and Masculinity” at the Popular Culture Association of Canada’s 7th annual conference in Niagara Falls.
Photo and contributions by Victoria Kennedy