I know it’s summer, and I also know that summer goes fast. If you are reading this, you know that it’s never too early to starting thinking about fall courses. I know that I am, and I hope you’ve seen my posters advertising EN370: Creative Writing:poetry, now part of our new Minor in Writing for Career and Community, and of course, a course that was offered for many years by Ed Jewinski, and by me since 2015.
Students often say to me that poetry isn’t their main genre, that they think of themselves more as fiction writers. That’s excellent, and that’s a good reason to take EN370, so your fiction writing can be enhanced by your exploration of poetry. Remember that there are plenty of good writers who work in both genres and say that writing poetry contributes to their prose practice: Raymond Carver, Jeanette Winterson, Margaret Atwood, Michael Ondaatje, and Anne Carson, to name only a few.
Entrance to the course is by portfolio only. If you are a student interested in the course, or if you know a student who’d be interested, poetry portfolios (6-8 pages of poetry in Word or PDF) are due to me at email@example.com as soon as possible.
Follow the link below to the cool video advertising the course on the department’s Facebook page.
Laurier English and Film Studies doctoral student Rebekah Ludolph was awarded the Barbara Godard Prize for the Best Paper by an Emerging Scholar at a ceremony during the 2016 Congress for the Social Sciences and Humanities at the University of Calgary on Saturday, May 28. Le Prix Barbara-Godard de la meilleure communication par un jeune chercheur is awarded annually by the bilingual Association for Canadian and Quebec Literatures/Association pour Littératures du Canada et Quebec (ACQL/ALCQ) as an acknowledgement of the ongoing legacy of York University’s Canadian literature scholar Barbara Godard, who was a mentor to many students and a leader in the scholarly community. Godard’s own interests in feminist theory, autobiography, and Indigenous women’s writing make the awarding of this prize to Rebekah’s paper of Mohawk author and environmental activist Anahareo especially appropriate and poignant. The award was presented to Rebekah by Dr. Sara Jamieson, President of ACQL/ALCQ and Associate Professor at Carleton University.
Rebekah delivered her paper, titled “Humour, Intersubjectivity, and Indigenous female identity in Anahareo’s Devil in Deerskins” in a special session on Indigeneity, Redemption, Agency on Sunday, May 29 at the University of Calgary. The award-winning paper began as a final essay in EN609: Canadian Women’s Literature offered in Fall 2015 in the Department of English and Film Studies, and Laurier faculty and students saw a preview of the paper when Rebekah delivered it as part of Showcase, the English and Film Studies Graduate Student colloquium, held at Laurier on March 30th.
After receiving the Godard Prize, which includes the opportunity for the paper to be published in the leading scholarly journal Canadian Literature, Rebekah commented: “I am very grateful for this encouragement at the beginning of my PhD journey. My paper would not have taken its current shape without the support of our English department, especially Dr. MacDonald, Dr. Kerber, fellow PhD student Heather Olaveson, my classmates in EN609, and the 2016 EN/FS Department Colloquium.” Supported by a SSHRC doctoral fellowship, Rebekah is studying alternative subjectivities and multicultural texts in Canadian literature.
Dr. Sara Jamieson presents Rebekah Ludolph with the Barbara Godard Prize for Best Paper by an Emerging Scholar in Calgary on May 28, 2016.
It’s March already and each winter term, I see how quickly our time with our Edna Staebler Writer in Residence zooms by. Our 2016 Staebler WIR, fiction writer and playwright Drew Hayden Taylor, has been at Laurier since mid-January and will give his second public talk on Thursday, March 10, in The Hawk’s Nest at 7:30 p.m. Many people remarked after Drew’s first talk in January that he is a remarkable performer, speaking entirely without notes about his start as a writer, his years with Native Earth Performing Arts, and writing for film and television.
Don’t miss this second talk, which will feature Drew’s discussion of his writing process.
And for the origin of “stone soup,” check out the folk tale:
Congress 2014 was held at Brock University in St. Catharines, and as I did when Congress 2012 was at WLU, I helped to organize a literary reading, pulling together fourteen poets who were also scholars giving papers at Congress. My colleague at Brock, poet-professor Gregory Betts, found the venue — the fabulous Niagara Artists Centre on St. Paul Street in downtown St. Catharines — and booksellers Noelle Allen of Wolsak and Wynn and Kitty Lewis of Brick Books stepped in to manage book sales. Gregory and I each invited some poets, wrote an ad, got a few organizations on board to advertise, and when the people began to pour in at 7:55 on May 25, it was clear that this event was going to be standing room only.
Gregory and I hosted, working out a classic buddy-comedy style that owed absolutely nothing to Nichols and May. English and Film Studies doctoral student Shannon Maguire kicked off the reading that featured poets as diverse as Nathan Dueck, Eric Schmaltz, Phoebe Wang, Charmaine Cadeau, Natalee Caple, Colin Martin, and Andy Weaver, who ended the night with a fantastic love poem. Gregory was a showstopper reading from his book, This is Importance, a poetry book made up entirely of creative errors about Canadian literature and it pretty much brought the house down. (Note to self: in future readings, read BEFORE Gregory.) Noelle and Kitty reported robust book sales
The fairly new tradition of literary readings at Congress was begun in 2011 in Fredericton, at the University of New Brunswick, when Prof. Ross Leckie called on poets from graduate students to modernist icon Travis Lane (and everyone in between) to do two minutes at the microphone. Walking away from that event, Eleanor Ty said to me, “We should do this at WLU next year.” We did, and Jamie Dopp organized another at the University of Victoria for Congress 2013, and now the only question is, who will champion the Congress poetry reading at University of Ottawa next year?