The Film Studies faculty members extend their hearty congratulations to all of the undergraduate students who presented academic papers and creative works at the annual WLU Film Symposium, held last Friday and organized by the WLU Film Society. Over the course of the day, the audience was treated to a series of intellectually stimulating papers, stunning music videos and movie trailer recreations, astute questions from the audience, and, in the symposium’s final moments, a spontaneous dance party set to the theme song of Sailor Moon. A list of paper presenters is posted below. Many additional students screened work produced for their courses in video editing (FS370 and FS371), with a special presentation of two short films featuring sound editing by FS major Zixuan Lou. Congratulations to all of you!
Chris Luciantonio, Not Good Enough and The Tactile Accessibility of Stop-Motion Animation
Amanda McKelvey, Stereotypes in Masculine Melodrama
Mynt Marsellus, The Walking Dead, Zombies, and Genre Hybridity
Christina Shirley, Utopianism in Les Miserables and La La Land
Samantha Hutchinson, Shakespeare’s Bawdy on the Big Screen
Madeline McInnis, Modern Day Cinema of Attractions
Daniel Gibel, Soldier of Orange to Starship Trooper: The Evolution of Paul Verhoeven as an Auteur
Jonathan Lim, Canadian Identity: Anything but Clearcut
Jacqueline Ouellette, Penny’s Value: Feminist Auteur Puts the Woman in a Refrigerator
Yeng Hang, Mo Lei Tau: Reconsidering Hong Kong’s Despised Genre
Michael Oliveri, Popular Portrayals of Peasants in Battleship Potemkin and Chapaev
Connor Hotzwik, Discussions of Art in Early Film
Amy Holman, Bazin’s Puppets
Breanna Kettles, The Knight Who Doesn’t Slay the Dragon: The Reconciliation of Sci-fi and Fantasy Components in Scrapped Princess
Aruba Khurshid: How to Sell to the West: A Look at Sailor Moon’s Success
PhD candidate Anders Bergstrom, Professor Christine Daigle (Brock Philosophy/ Interdisciplinary Studies), and Professor Russell Kilbourn presented papers in a panel, “What Comes After Affect?—The ‘Non-Human Turn’ and the New Master Narrative(s)” at the Narrative Studies Conference in Amsterdam, June 16-18, 2016.
The papers emerged in response to the general question: what comes after affect, when ‘post-affective’ culture signifies not the end of affect but its total dissemination? The degree and status of affect at the level of uncritical consumption, and for everyday life, is markedly different from its value for contemporary critical theory, showing how historically out-of-step the latter is with the ways in which real people actually experience things affectively, before the disruptive interposition of ideology, reason, consciousness, higher brain functions–those features of conscious or unconscious human experience that have heretofore defined the human in contradistinction to that which is non- or other-than-human. From the positing of a set of philosophical parameters for a new theory of post-affective, ‘posthuman’, subjectivity, the panel moved to a pair of theory-based readings of specific filmic examples.
The conference was held at the University of Amsterdam in the historic city centre, within walking distance of the major tourist sites, as well as a great many of Amsterdam’s famous ‘coffee shops’. (On at least one occasion we had the opportunity to discover that these shops do in fact sell coffee.) A comparatively large international event, the conference included no less than 109 panels involving approximately 380 presenters over three days, with three keynote speakers—Espen Aarseth, IT University of Copenhagen (“Fifty Shades of Play: Making Sense of the Game-Story Landscape”), Clare Hemmings, The London School of Economics (“Feminist Articulations: Narratives of Gender and Sexuality in a New Feminist Landscape”), and Roberta Pearson, University of Nottingham (“The Cohesion and Expansion of Fictional Worlds”)—each of whom spoke on a cutting edge topic in narrative theory. In addition, six ‘Contemporary Narrative Theory Speakers’ led roundtable discussions on specific topics.
Conference participants agreed that organizers Tara MacDonald and Daniel Hassler-Forrest did an exemplary job planning the event—especially in terms of the social dimension. In addition to the closing night dance party, pictured here, the conference kicked off with an opening reception at the new EYE film museum, a short ferry ride across the harbor from the central station. In the end we were surprised to learn that narratologists really know how to have a good time, and that Amsterdam is still one of the best cities in the world.
Laurier English and Film Studies doctoral student Rebekah Ludolph was awarded the Barbara Godard Prize for the Best Paper by an Emerging Scholar at a ceremony during the 2016 Congress for the Social Sciences and Humanities at the University of Calgary on Saturday, May 28. Le Prix Barbara-Godard de la meilleure communication par un jeune chercheur is awarded annually by the bilingual Association for Canadian and Quebec Literatures/Association pour Littératures du Canada et Quebec (ACQL/ALCQ) as an acknowledgement of the ongoing legacy of York University’s Canadian literature scholar Barbara Godard, who was a mentor to many students and a leader in the scholarly community. Godard’s own interests in feminist theory, autobiography, and Indigenous women’s writing make the awarding of this prize to Rebekah’s paper of Mohawk author and environmental activist Anahareo especially appropriate and poignant. The award was presented to Rebekah by Dr. Sara Jamieson, President of ACQL/ALCQ and Associate Professor at Carleton University.
Rebekah delivered her paper, titled “Humour, Intersubjectivity, and Indigenous female identity in Anahareo’s Devil in Deerskins” in a special session on Indigeneity, Redemption, Agency on Sunday, May 29 at the University of Calgary. The award-winning paper began as a final essay in EN609: Canadian Women’s Literature offered in Fall 2015 in the Department of English and Film Studies, and Laurier faculty and students saw a preview of the paper when Rebekah delivered it as part of Showcase, the English and Film Studies Graduate Student colloquium, held at Laurier on March 30th.
After receiving the Godard Prize, which includes the opportunity for the paper to be published in the leading scholarly journal Canadian Literature, Rebekah commented: “I am very grateful for this encouragement at the beginning of my PhD journey. My paper would not have taken its current shape without the support of our English department, especially Dr. MacDonald, Dr. Kerber, fellow PhD student Heather Olaveson, my classmates in EN609, and the 2016 EN/FS Department Colloquium.” Supported by a SSHRC doctoral fellowship, Rebekah is studying alternative subjectivities and multicultural texts in Canadian literature.
Dr. Sara Jamieson presents Rebekah Ludolph with the Barbara Godard Prize for Best Paper by an Emerging Scholar in Calgary on May 28, 2016.
1. Benjamin Lefevre, “Young Canada: Toward a Theory of the Represented Child”
2. Amanda Spallacci, “Resistance and Healing: The Representation of Sexual Violence through Personal Testimony”
3. Tanis MacDonald, “Clear and Other Cuts: AIDS Narratives and the Deep Woods”
Panel 2: Indigenous Literature and the North, 10:40am
Chair: Jing-Jing Chang
1. Jenny Kerber, “Cat Trains and Chattering Teeth: Literary Traces of Worker Experience in the Wartime North”
2. Rebekah Ludolph, “Humour, Intersubjectivity, and Indigenous Female Identity in Anahareo’s Devil in Deerskins”
3. Shannon Maguire, “’White Noise,’ Métis Hospitality: Noise, Transmission, and Translation in Marilyn Dumont’s A Really Good Brown Girl and The Pemmican Eaters”
Featured Researcher, 11:45am
Chair: Lynn Shakinovksy
Eleanor Ty, University Research Professor, 2015-2016
“Asian fail: Failure and Unhappiness in Asian North American Narratives”
Interlude: Sanchari Sur, “not being rude” & “gulab jamuns”
Panel 3: Specialist Studies in English and Film, 1:00pm
Chair: Ken Paradis
1. Claire Meldrum, “The Mystery of the Missing Sleuth: Female Investigative Strategies in Anna Katharine Green’s The Mill Mystery”
2. Susan Hroncek, “Bringing the Fetish Stuff Up to Date:” Invisible Alchemy at the Fin de Siecle
3. Anton Bergstrom, “Sacred Calling as Estrangement in Donne’s ‘To Mr. Tilman after he had taken orders’”
4. Mike McCleary, “Ray Harryhausen and the Aesthetics of High Imperfection”
Dr. Mariam Pirbhai presented the 100 year old history of South Asian immigration to Canada and noted the importance of the Komagata Maru for this community. She has recently edited a special issue on South Asian Canadian writing for Studies in Canadian Literature.
Aboriginal playwright and author Drew Hayden Taylor discussed the challenges of being half-Caucasian and half-Ojibway and growing up in the small community of Curve Lake First Nations. He says that as a child, he escaped from the limitations of his community by reading comics and adventure books, and is now writing more genre fiction, such as his Aboriginal vampire novel, The Night Wanderer and his forthcoming book of native science fiction.
Creative Writing at Laurier
Prize sponsor Doug Heard presented Danielle LeDuc with the Chris Heard Memorial Writing Prize. The prize was established by the Heard family for Chris Heard who was a student at Laurier who loved to write.
Danielle LeDuc read her amazing story, “War: A People’s History” which was surprisingly not about the kind of war you’d imagine.
Dr. MacDonald and several other students from Dr. MacDonald’s creative writing class read the following short pieces:
Anthony Haslam, “Shaman’s Brew”
Dan Douglas, “Fact”
Jenna Galluccio, cento song: “Tired Lovemaking” and poem “Snap, Crackle, Pop”
Jenna Hazzard, “King of Pool”
Dr. MacDonald, “Very Wide Awake,” a poem about the space race and Planet of the Apes
Dr. Maria DiCenzo introduced three alumni who graduated from English or the Film Studies Program.
Andrew Baechler (BA English 2007) played football when he was at Laurier and has now combined his love of reading and his communication skills with sports at his current job. He is the Media Relations, Communications, and Sports Information Officer at the Athletics Department at Guelph University.
Ron Butler (BA Film Studies 2012) loved studying films and even made films for the Fringe when he was at Laurier. He is a cinematographer and filmmaker at Final Frame Productions.
Hanna Burnett (MA 2013, BA EN/FS 2012) says that her MA year at Laurier was the best educational year of her life. She is the Coordinator, Program Services at the Toronto International Film Festival and had entertaining anecdotes about the challenges of classifying and rating films for TIFF.
English Student Association
The English Student Association, represented by Daniella Cavallini, Beniah Lanoue, and Chris presented a PowerPoint series about the association, including aims, benefits of joining the ESA, and events planned for the Winter term, then held a short meeting with prospective members.
The academic has the strange experience of working alone and in a large group simultaneously. Despite being part of a rhetorical discourse community and a physical departmental community, it is nevertheless easy to feel alone as one reads through endless stacks of books while writing everything from essay comments to book-length treatises. Enter the conference.
The conference is useful in a number of ways: as an opportunity to network, to receive feedback on your research, to meet others in your field with whom you might collaborate, and to get involved in administrative aspects of various academic organizations. But for me, what the recent ACCUTE conference made so clear is that the social aspect of the conference is as important as the professional aspects. Interacting with others is vital to our ability to produce good work, and unfortunately, this is something I think many of us often forget in the whirlwind of deadlines and to-do lists.
I confess that I did not have high expectations for the conference before attending. As I flipped through the initial program in the weeks before the big event, I thought that there were relatively few panels of relevance to my research. Canadianists and Victorianists seemed to be the two largest camps, and, as I am neither, I expected to feel somewhat out of place. But this was not at all the case. The biggest lesson I learned at Congress was to avoid retreating too far into the specificity of my own research.
I heard papers on Medieval, Early Modern, Victorian, and Canadian literature—none of which are really my area—and still found my mind racing excitedly with ideas. From the NAVSA series on “The Uses and Abuses of History” to the debate on “The Modern Academic and Copyright Law” to Faye Hammill’s keynote address on “Sophistication, Modernism, and Entertainment,” to the extremely popular poetry event “Soirée des Refusés,” I felt recharged and reinvigorated with each event I attended. Moreover, I began bumping into other students and professors I knew from various levels of my university education, and even our informal conversations were infected by our excitement about things we had seen and heard.
See, when academics attend a conference, their enthusiasm and excitement becomes contagious. It’s difficult to avoid becoming infected by the energy of thousands of minds and voices coming together in collaboration. Although I arrived expecting to find few connections to my own research, I left with a supply of creative energy that followed me home and made the month of June extremely productive.
Tanis MacDonald presents paper on Renee Saklikar’s Children of Air India
Tanis MacDonald and Eleanor Ty were invited to participate in the Canada and Beyond Seminar 3 at the University of Huelva, Spain from 19-20 June 2014 hosted by Pilar Cuder-Dominguez (Universidad de Huelva) and Belen Martin Lucas (Universidade de Vigo). About 20 scholars from Canada, Britain, and Europe gathered to talk about “the geopolitics of intimacy.” Other speakers included Cynthia Sugars (University of Ottawa), Winfried Siemerling (University of Waterloo), and writer/poet, Larissa Lai (CRC, University of Calgary).
Tanis MacDonald’s “Unauthorized Exhibits: The Space of Mourning” argued that even when the elegy concerns familial loss, it can be political. Eleanor Ty’s “Intimacy, Violence, and Disruption in Monsieur Lazhar” looked at the parallels between familiar teacher and the stranger to reveal the connections triggered by unexpected violence. After the conference, they visited some castles and other sights.