Anders Bergstrom received his PhD at the June 12, 2017 convocation and his dissertation, entitled In Search of Lost Selves: Memory and Subjectivity in Transnational Art Cinema received the Award for Outstanding Work at the Graduate Level.
Anders’ dissertation addresses the thorny topic of the subject, that philosophical category central to conceptions of self and identity that emerged in the modern, post-classical era, but which has been placed under interrogation, if not wholly discarded, in contemporary discourses. This project offers an answer for why this term and related concepts persist and manifest in contemporary cultural forms such as the narrative film, in the representation and materialization of memory within. Through analysis and discussion of examples drawn from contemporary transnational cinema—including, among others, The Tree of Life (2011), Melancholia (2011), Uncle Boonmee Who Can Recall His Past Lives (2010), and Goodbye, Dragon Inn(2003)—the study addresses the role that art cinema practices play and have played in shaping our conceptions of selfhood.
Anders’ PhD was supervised by Dr. Russell J. A. Kilbourn, with Dr. Jing Jing Chang and Dr. Tamas Dobozy serving as committee members. Dr. John Caruana, from the Department of Philosophy at Ryerson University, attended as the external examiner at his defence.
Anders is in the process of revising his dissertation for publication and continuing to research and teach film studies. He recently taught a course on Hong Kong Cinema this spring at University of Toronto Mississauga, and will be returning to teach a course on East Asian Film at Laurier this fall.
Our best wishes and hearty congratulations to Anders!
Anders with wife, Rochelle in Paris.
Alex Williams introduces his film
Audience members join in a discussion of The Pass System following the screening
The final installment of this winter’s Tracking Shots 3 Aboriginal Film Series was a screening of The Pass System (2015) on March 23rd. Toronto-based filmmaker Alex Williams was on hand to introduce and discuss his documentary, which draws on archival research and interviews with academics and elders to illuminate the history of Canada’s enforced (and illegal) segregation of Indigenous peoples on reserves, especially in the years following the Northwest Resistance of 1885. The system required First Nations people to obtain a pass from the local Indian Agent to leave the reserve for any reason, and although it was introduced as a ‘temporary security measure’ it persisted for decades. Stories about this system’s implementation and effects deserve to be more widely known, and we were fortunate to have Alex and local elder Elaine Endanawas on hand to share their insights. The film generated a thoughtful discussion among attendees about how to reckon with this history of restricted mobility and its implications for reconciliation. This year, the series presented a total of eight films ranging from shorts to full-length features. Thanks to all who came out to see these new works and share in the conversation!
Congratulations to all the students in English and Film Studies who have won departmental awards and scholarships this year! The list of award recipients is as follows:
Campbell/Verduyn Prize for Film: Grace Jansen In De Wal
Jim Clark Prize for Drama: Brittany Lazar
Chris Heard Memorial Writing Prize: Danielle LeDuc
Pauline Carole Leavine Scholarship in English: Caroline Weiner, Erin McHarge
Hugh MacLachlan Scholarship: Lindsay Meaning
Barbara Parker Memorial Scholarship: Danielle LeDuc, Denise Springett
Princess Cinema Award: Amanda Mckelvey
Flora Roy Scholarships: Erin McHarge, Aaron Rupert, Carina Rampelt
Paul Tiessen Scholarship in Film: Emily Sider
Weldon and Misser Prize in Poetry: Sarah Best